A good photograph asks something more from the viewer than just a fleeting glance. It asks for stillness. It rewards a second or even a third look, with each pass revealing something new — a shadow you hadn't noticed, a texture that shifts with the light in the room, a detail at the edge of the frame you hadn't placed before. I make photographs for that kind of looking. Over time, they stop being something you look at and change how you see everything else.
Are-Bure-Boke
Rough, blurred, out of focus. Black-and-white street photographs from across Japan, made in the spirit of Daido Moriyama and the Provoke movement.
The Angkor Wat temple complex and the Mekong River at 850 nanometers, in light just beyond the eye's reach, where jungle glows white and stone turns pale as bone.
